A Directorial Debut that Shines a Light on Assault and Recovery

Eva Victor makes her directorial debut with a powerful portrait of a life upended by sexual assault. The film, in which Victor also takes starring duties, follows Agnes, an earnest academic, as she struggles to come to terms with her past. The story is told through a series of flashbacks, from Agnes's carefree college days to the traumatic event that changed her life forever. With the support of her best friend Lydie, played by Naomi Ackie, Agnes begins to rebuild and reclaim her sense of self.

Key Takeaways:

• The film is a directorial debut for Eva Victor, who also takes starring duties as Agnes, an earnest academic.
• The story is told through a series of flashbacks, from Agnes's college days to the traumatic event that changed her life.
• The film addresses existential issues about what the assault has done to Agnes's sense of self, including the feeling of being denied the right to live and think for herself.
• The film balances a difficult subject with humor, including jokes that are "not side-splitters, of course, but funny enough".
• Professor Decker, played by Louis Cancelmi, is a perverted figure who is focused on Agnes from the start.
• The film's tone is reminiscent of Fleabag and Greta Gerwig's Frances Ha.
• The assault scene is carefully done yet devastating.
• The film's portrayal of recovery is a hopeful one, with Agnes slowly rebuilding her sense of self with the support of her best friend Lydie.

Statistics:

• The film is a directorial debut for Eva Victor.
• The film's tone is compared to Fleabag and Greta Gerwig's Frances Ha.
• The assault scene is carefully done yet devastating, with a long shot and a closed door.
• Agnes stops seeing herself as "a person who lives and breathes and thinks for herself" after the assault.

Sources:

• "Sorry, Baby" (no date or publication date provided)
• "Billions" (TV series, no date or publication date provided)