James Carter: A Trailblazing Young Horn Player Shattering Jazz Conventions
James Carter is one of the hottest young horn players in the world, and an iconoclast, writes Richard Guilliatt. The arrival of Carter on Australian shores is a significant event in the jazz scene, bringing with him a fresh perspective and a style that blends traditionalism with experimentalism. Carter's virtuosic skills on tenor and baritone saxes are matched only by his innovative approach, which has been influenced by a range of musical styles, from jazz and blues to African music and free-blowing.
Key Takeaways:
- James Carter is a 25-year-old horn player who has made a significant impact on the jazz scene with his debut album, released on the Japanese DIW label.
- Carter's style is characterized by his cocksure approach, blending traditional jazz with experimental and avant-garde elements.
- He has been influenced by a range of musical styles, including jazz, blues, African music, and free-blowing.
- Carter's interest in relatively esoteric instruments such as the piccolo and bassoon has shaped his approach to the saxophone.
- He has cited Lester Bowie, a member of the Art Ensemble of Chicago, as a significant influence on his style, and has been critical of traditionalism in jazz.
- Carter believes that jazz needs to break out of its current formalities and open itself up to experimentation and outside influences.
- He is part of a new generation of jazz players who are pushing the boundaries of the genre, rather than adhering to traditional approaches.
Statistics:
- James Carter is 25 years old.
- He has released a debut album on the Japanese DIW label.
- Carter's album was recorded in April 1993.
- He has a collection of 40-odd reeds and horns, which he keeps back home in New York.
- Carter's interest is in experimenting with different sounds and styles, rather than adhering to a specific genre or tradition.
Sources:
- Guilliatt, Richard. "James Carter: a trailblazing young horn player." (Source not explicitly stated in original text; however, this text appears to be from an article written by Guilliatt, and the exact source is not specified.)